Story
46. “Khukhe Bukha”, the “Blue Cow”, the hometown of “Barga Baatar”, the
“So-nori Gut,Cow Masked Shaman Exorcism” of Pyeongsan
I
will introduce another interesting fact. “Khukhe Bukha”, who met while walking
along the shore of Lake Baikal, the Asuykhan udagan (shaman, 무당, 巫堂), which was interpreted as “blue cow”
in Mongolian. However, in Goguryeo-Balhae, it is interpreted as “Keo-si Bogo (Geol-si
‘eldest’, Geol-si Mukri, Malgal)”.
Also,
“Bodan” in the Buryat name of Bu-ke Bukha’s wife, “Bodan Khatan”, means
“shaman” in Malgal. Their son, “Koridoi,” is interpreted as “Goryeo,” and he is
also the founder of the “Korras” lineage, one of the three main branches of the
Konggrat clan in <Jipsa집사Tarikh-e Monghul, 集史 History of Mongolia>. This “Korras” is “Goryeo Na clan=Hapranro
clan=Galajeon clan=Goryeo Nara clan=Korirardai.”
The
ancestor of the three branches of the Konggrat clan, including this Korras
lineage, is none other than “Pyeongju monk Geumhaeng (平州僧 今幸)” in <History of Goryeo>. The “Konggrat clan (Qowm-i
Qongrat)”, whose founder is otherwise called the “Pyeongsan clan (平山派)” and “Geum (今=金)
clan.” However, as if by coincidence, the father of “Koridoi”, “Balhae-Makhadol
(靺鞨薩, Malgalsal)-Daesang-Rang”, or “Pyeongju Monk
Geumhaeng (平州僧 金幸)”, the great-grandfather of “Blue Cow,
Khu’khe Bukhah”, lived in Pyeongsan, Hwanghae-do, a region famous for
“So-noreumgut, Cow Masked Shaman Ritual Dancing (Exorcism).”
If
so, the father of “Koridoi”, “Khu’khe Bukhah”, also means “Geolga Bogo” and
also means “Blue Cow”, which is a triple meaning. In other words, it cannot be
unrelated to the main character “Cow” in Pyeongsan’s “So-noreumgut, Cow Masked
Shaman Ritual Dancing (Exorcism)”
The
Academy of Korean Studies ・
2024. 10. 4
Buryat Shaman from google
The
'Hwanghae-do Pyeongsan Sonoreumgut, Cow Masked Shaman Ritual
Dancing(Exorcism).'
With
this, it is now possible to reconnect the genealogy that was cut off 1,100
years ago in the traditions and “genealogy” of the Buryat tribe. The
“Kori-Tumad Bu (Goryeo-Jumongbu)”, which appears as a tribe of the three Buryat
tribes in the <Secret History of the Mongols> and the tribe of Alan Gow
and his father “Kori-Radi Mergen” in the Korya-Buryat traditions such as the <History
of the Mongol-Buryads of Selenge>, is the “Kori-Buryat tribe”. The founder
of this tribe called “Kori-Tumad Bu” or “Kori-Buryat tribe” is “Korras” in the
<집사Tarikh-e Monghul, 集史 History of Mongolia>, “Kori-Rardai Mergen” in the <Mongol
Secret History>, and “Kori Mergen” or “Koryo-Odoi” in Buryat tradition.
This
slightly unfamiliar name is actually a familiar word in Malgal, “Goryeo-ssi.”
Also, his name, which is written with slightly different pronunciations in each
historical book, is actually the same person, “Korras=Korra-Rardai Mergen=Kori
Mergen=Koryo-Odoi=Goryeo-ssi.” The tribe name collectively called the clan
tribes created by each of the 11 sons of this “Korras” is “Korras tribe” in the
<집사Tarikh-e Monghul, 集史 History of Mongolia>, “Kori-Tumad Bu” in the <Mongol Secret
History>, and “Kori-Buryat tribe” in Buryat tradition. <집사Tarikh-e Monghul, 集史 History of Mongolia> the Western history books call the “Korras tribe”, and the father of “Korras”,
“Misar Uluk”, is “Barga Baatar Taisang Noyon” in Buryat tradition, and this
latter is the grandson of Bohwalri, the younger brother of Hambo, the founder
of the Jin Dynasty in <Geumsa,Jin Dynasty History>. This genealogy is
Bohwalri → Kongliut → Misar Uluk = Barga Baatar Taisang Noyon → Korras → Alan
Koa.
The
Goguryeo-Malgal name of “Barga Baatar Taisang Noyon” is “Balhae Makhadol
Daesang Rang”, and this person’s son is “Korras = Kori Mergen = Koryoodoi”, the
father of Alan Kowa. Let’s look at the 11 sons of this Korras and the only
daughter Alan Kowa in the genealogy of Daeyabal (大野勃), the founder of the second royal line of Balhae.
Then,
the “Kori-Buryat 11 clans” is the story that the three Buryat tribes of today
were created in the 9th generation of Daeyabal. As a result of our research, we
have finally discovered the origin of their tribe that the Buryats themselves
could not find. The “Three Buryat Tribes” are the “Kori-Buryat Tribe,” the
direct ancestors of Genghis Khan, and the two collateral ancestors, the Ehired
and Bolagad Buryat tribes.
The
historical truth that they are descendants of people who crossed over from our
land today has now been revealed. In other words, they are true blood relatives
and brother tribes of our Malgal-Goguryeo people, that is, the Joseon people
and the Korean people. The 11 brothers who formed one of these three tribes,
the “Kori-Buryat Tribe,” or the “Khoras Tribe,” and their only sister, Alan
Gowa, are the 10th generation descendants of the world conqueror Genghis Khan.
When
the Sonoreum Gut (Cow Mask Shaman Ritual Dancing) begins, a message from the
Jade Emperor is first said and a blank sheet of paper is presented to Jeseok.
Jeseok reads it and sings a sasaul in a taryeong tone, and the servants receive
the last sasaul as a mansu-baegi(the recital of a shaman to another shaman). The story is sung as a song about the story
of how he descended to earth under the command of the Jade Emperor, gave birth
to humans, and founded Joseon.
Indra
dances on the ground and bows, and informs the Jade Emperor that he has safely
arrived in Joseon. In this way, the heavenly play ends and the earthly play
begins. At this time, a coachman wearing a jacket and a hat enters, leading a
mother cow, and a calf follows. Indra shares jokes with the coachman and sings
songs. Indra, who is the god of agriculture, the god of birth, and the god of
longevity, plays the role of the coachman, leading the cow and plowing the
field, while Aemi Bodhisattva sows seeds, Ksitigarbha Bodhisattva weeds, and
Shennong supervises the farming. It is not only an agricultural ritual gut that
teaches the techniques of taming and leading cattle and how to fit a plow to a
plow, but also a play where Jesak grinds grain to prepare food for humans and
tames the land of a house to bring fortune and blessings to the household. He
also consecrates a baby as a mountain god. After teaching farming methods to
uncivilized humans and bestowing blessings, he ends by ascending to heaven with
the servants brought from heaven. In this way, this play shows the transition
from an agricultural ritual gut to a play. Pyeongsan Sonoreumgut (Cow Mask Shaman
Ritual Dancing) is performed at the end of Jesakgeori, the middle part of the
large gut consisting of fifteen sections.
The
order of the ritual is as follows: Shincheongullim - Dangsan (堂山) maji and Seongsu geori - Chogamang (Chobujeong) geori - Chilseong
geori - Jeseok geori - Sonoreumgut - Seongjugut - Jangsu geori (riding a pair
of oxen and jumping on a swing) - Tasal geori - Daegam geori - Ancestor geori -
Teoju geori - Malmyeong geori - Hunting geori - Madanggut (the order of the
ritual held on April 19, 1987). This order of Sonoreumgut(Cow Mask Shaman Ritual
Dancing) is also the same as the Hwanghae-do Pyeongsan Sonoreumgut(Cow Mask Shaman
Ritual Dancing). Looking at the costumes of the characters, Jeseok wears a
kasaya (traditional Korean ceremonial garment) and wears a prayer bead, the
coachman wears a jacket and pants with a hat, Aemibosal wears a skirt and
jacket with a towel and carries a basket on his waist. Jijangbosal wears a
skirt and jacket and holds a hoe.
Shinnong
wears a hat, a robe, and holds a book. The mother cow and calf hold a cow's
head made of paper and turn over their heads to cover themselves with a
deokseok. The mobilized Mansin is composed of six people, as well as the
Palseonnyeo, six people who clean the land, and seven people who grind the
millstones, for a total of 33 people. The music is shaman music, consisting of
three instruments: janggu, jing, and je (jeotdae). This ritual usually begins
at sunset and continues until dawn. One thing to note is that after the
Sonoreum ritual ends, they ride on a pair of jakdu and swing on a swing in
Jangsu Street to drive away all evil spirits. The only person who stands on the
jakdu blade and swings is Lee Seonbi Mansin, the holder of the Hwanghae-do Pyeongsan
Sonoreum(Cow Mask Shaman Ritual Dancing) ritual in the country.
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